From Wikipedia, the free encyclopedia
| The Insider | |
|---|---|
Theatrical release poster |
|
| Directed by | Michael Mann |
| Written by |
|
| Based on | «The Man Who Knew Too Much» by Marie Brenner |
| Produced by |
|
| Starring |
|
| Cinematography | Dante Spinotti |
| Edited by |
|
| Music by |
|
|
Production |
|
| Distributed by | Buena Vista Pictures Distribution |
|
Release date |
|
|
Running time |
158 minutes |
| Country | United States |
| Language | English |
| Budget | $68–90 million[1] |
| Box office | $60.3 million |
The Insider is a 1999 American drama film directed by Michael Mann, from a screenplay adapted by Eric Roth and Mann from Marie Brenner’s 1996 Vanity Fair article «The Man Who Knew Too Much». It stars Al Pacino and Russell Crowe, with supporting actors including Christopher Plummer, Bruce McGill, Diane Venora and Michael Gambon.
A fictionalized account of a true story, it is based on the 60 Minutes segment about Jeffrey Wigand, a whistleblower in the tobacco industry,[2] covering his and CBS producer Lowell Bergman’s struggles as they defend his testimony against efforts to discredit and suppress it by CBS and Wigand’s former employer.
Though not a box office success, The Insider received acclaim from critics, who praised Crowe’s portrayal of Wigand, and Mann’s direction. It was nominated for seven Academy Awards, including Best Picture and Best Actor in a Leading Role (for Russell Crowe).
Plot[edit]
During a prologue, a CBS producer, Lowell Bergman, convinces the founder of Hezbollah, Sheikh Fadlallah, to grant an interview to Mike Wallace for 60 Minutes. While preparing for the interview, both Wallace and Bergman firmly stand their ground against the Sheikh’s armed and hostile bodyguards’ attempted intimidation and disruption.
Later, Bergman approaches Jeffrey Wigand—a former executive at the Brown & Williamson tobacco company—for help explaining technical documents. Wigand agrees, but intrigues Bergman when he adds that he won’t discuss anything else, citing a confidentiality agreement. B&W later coerce Wigand into a more restrictive agreement, leading Wigand to accuse Bergman of having betrayed him. Bergman subsequently visits Wigand to defend himself and investigate the potential story. Wigand, though apparently possessing very damaging information, is hesitant to jeopardize his severance package with B&W by revealing anything.
Wigand’s family move into a more modest house, and Wigand begins working as a teacher. One night Wigand finds evidence of trespass, and receives a sinister phone call. Meanwhile, Bergman contacts Richard Scruggs, an attorney representing Mississippi in a lawsuit against the tobacco industry, suggesting that if they deposed Wigand, it could negate his confidentiality agreement and give CBS cover to broadcast the information; Scruggs expresses interest. Some time later, Wigand receives an emailed death threat and finds a bullet in his mailbox. He contacts the FBI, but the agents who visit him are hostile and confiscate his computer. A furious Wigand demands that Bergman arrange an interview, in which Wigand states that he was fired after he objected to B&W intentionally making their cigarettes more addictive.
Bergman later arranges a security detail for Wigand’s home, and the Wigands suffer marital stress. Wigand testifies in Mississippi, over the objections of B&W attorneys, despite having been served with a gag order. On returning home, he discovers that his wife Liane has left him and taken their daughters. Eric Kluster, the president of CBS News, decides not to broadcast Wigand’s interview, after CBS legal counsel Helen Caperelli warns that the network is at risk of legal action from B&W. Bergman confronts Kluster, believing that he is protecting the impending sale of CBS to Westinghouse, which would enrich both Kluster and Caperelli. Wallace, and their executive producer Don Hewitt, both side with Kluster. Wigand, learning of this, is appalled, and terminates contact with Bergman.
Investigators probe Wigand’s personal history and publish their findings in a 500-page dossier. Bergman learns that The Wall Street Journal intends to use it in a piece questioning Wigand’s credibility. He convinces the editor of the Journal to delay while Jack Palladino, an attorney and investigator, evaluates it. After infighting at CBS over the Wigand segment, Bergman is ordered to take a «vacation», as the abridged 60 Minutes segment airs. Bergman contacts Wigand, who is both dejected and furious, accusing Bergman of manipulating him. Bergman defends himself and praises Wigand and his testimony. Scruggs urges Bergman to air the full segment to draw public support for their lawsuit, itself under threat by a lawsuit from Mississippi’s governor. Bergman is unable to assist, and privately questions his own motives in pursuing the story.
Bergman contacts an editor at The New York Times, disclosing the full story and events at CBS. The Times prints the story on the front page, and condemns CBS in a scathing editorial. The Journal dismisses the dossier as character assassination and prints Wigand’s deposition. Hewitt accuses Bergman of betraying CBS, but finds that Wallace now agrees that bowing to corporate pressure was a mistake. 60 Minutes finally airs the original segment, including the full interview with Wigand. Bergman tells Wallace that he has resigned, believing 60 Minutes‘s credibility and integrity is now permanently tarnished.
Cast[edit]
- Al Pacino as Lowell Bergman
- Russell Crowe as Dr. Jeffrey Wigand
- Christopher Plummer as Mike Wallace
- Diane Venora as Liane Wigand
- Philip Baker Hall as Don Hewitt
- Lindsay Crouse as Sharon Tiller
- Debi Mazar as Debbie De Luca
- Renee Olstead as Deborah Wigand
- Hallie Kate Eisenberg as Barbara Wigand
- Stephen Tobolowsky as Eric Kluster
- Colm Feore as Richard Scruggs
- Bruce McGill as Ron Motley
- Gina Gershon as Helen Caperelli
- Michael Gambon as B&W CEO Thomas Sandefur
- Rip Torn as John Scanlon
- Cliff Curtis as Sheikh Fadlallah
- Gary Sandy as Sandefur’s lawyer
- Roger Bart as Seelbach hotel manager
- Jack Palladino as himself
- Mike Moore as himself
Production[edit]
With a budget set at $68 million,[1] Mann began collecting a massive amount of documents to research the events depicted in the film: depositions, news reports and 60 Minutes transcripts. He had read a screenplay that Eric Roth had written, called The Good Shepherd, about the first 25 years of the CIA. Based on this script, Mann approached Roth to help him co-write The Insider. Mann and Roth wrote several outlines together and talked about the structure of the story. Roth interviewed Bergman numerous times for research and the two men became friends.
After he and Mann wrote the first draft together at the bar at the Broadway Deli in Santa Monica, Roth met Wigand. The whistleblower was still under his confidentiality agreement and would not break it for Roth or Mann. Roth’s initial impressions of Wigand were that he came across as unlikable and defensive. As they continued to write more drafts, the two men made minor adjustments in chronology and invented some extraneous dialogue but also stuck strictly to the facts whenever possible. However, Mann and Roth were not interested in making a documentary.
Val Kilmer was considered by Mann for the role of Jeffrey Wigand. Producer Pieter Jan Brugge suggested Russell Crowe and after seeing him in L.A. Confidential, Mann flew Crowe down from Canada where he was on location filming Mystery, Alaska on the actor’s one day off and had him read scenes from The Insider screenplay for two to three hours. When Crowe read the scene where Wigand finds out that the 60 Minutes interview he did will not be aired, he captured the essence of Wigand so well that Mann knew he had found the perfect actor for the role. Crowe, who was only 33 years old at the time, was apprehensive at playing someone much older than himself when there were so many good actors in that age range.
Once Crowe was cast, he and Mann spent six weeks together before shooting began, talking about his character and his props, clothes and accessories. Crowe put on 35 pounds (16 kg) for the role, shaved back his hairline, bleached his hair seven times and had a daily application of wrinkles and liver spots to his skin to transform himself into Wigand, who was in his early-to-mid-50s during the events depicted in the film. Crowe was not able to talk to Wigand about his experiences because he was still bound by his confidentiality agreement during much of the film’s development period. To get a handle on the man’s voice and how he talked, Crowe listened repeatedly to a six-hour tape of Wigand.
Al Pacino was Mann’s only choice to play Lowell Bergman. He wanted to see the actor play a role that he had never seen him do in a movie before. Pacino, who had worked with Mann previously in Heat, was more than willing to take on the role. To research for the film, Mann and Pacino hung out with reporters from Time magazine, spent time with ABC News and Pacino actually met Bergman to help get in character.
Pacino suggested Mann cast Christopher Plummer in the role of Mike Wallace. Pacino had seen the veteran actor on the stage many times and was a big fan of Plummer’s work. Mann had also wanted to work with Plummer since the 1970s. Pacino told Mann to watch Plummer in Sidney Lumet’s Stage Struck (1958), and afterwards he was the director’s only choice to play Wallace—Plummer did not have to audition. He met with Mann and after several discussions was cast in the film.
For the scene in which the deposition hearing takes place, the filmmakers used the actual courtroom in Pascagoula, Mississippi, where the deposition was given.[3]
Accuracy[edit]
The Insider was adapted from «The Man Who Knew Too Much», an influential article on tobacco industry whistleblower Jeffrey Wigand, written by journalist Marie Brenner for the May 1996 issue of Vanity Fair.[4]
Mike Wallace said that two-thirds of the film was quite accurate, but he disagreed with the film’s portrayal of his role in the events; in particular, he objected to the impression that he would have taken a long time to protest CBS’s corporate policies.[5]
Release[edit]
Box office[edit]
The Insider was released in 1,809 theaters on November 5, 1999, where it grossed a total of $6,712,361 on its opening weekend and ranked fourth in the country for that time period. It went on to make $29.1 million in North America and $31.2 million in the rest of the world for a total of $60.3 million worldwide, significantly lower than its $90 million budget.[6] The film was considered to be a commercial disappointment. Disney executives had hoped that Mann’s film would have the same commercial and critical success as All the President’s Men, a film in the same vein.
However, The Insider had limited appeal to younger moviegoers (studio executives reportedly said the prime audience was over the age of 40) and the subject matter was «not notably dramatic,» according to marketing executives. Then-Disney chairman Joe Roth said, «It’s like walking up a hill with a refrigerator on your back. The fact of the matter is we’re really proud we did this movie. People say it’s the best movie they’ve seen this year. They say, ‘Why don’t we make more movies like this?‘«[7]
After the film received seven Academy Awards nominations, Joe Roth said, «Everyone is really proud of the movie. But it’s one of those rare times when adults loved a movie, yet they couldn’t convince their friends to go see it, any more than we could convince people in marketing the film.»[8]
Critical reception[edit]
The Insider received some of the best reviews of 1999 and of Michael Mann’s career. On Rotten Tomatoes it has a 96% rating based on 137 reviews, with an average rating of 8.10/10. The website’s critical consensus reads, «Intelligent, compelling, and packed with strong performances, The Insider is a potent corporate thriller.»[9] On Metacritic, it has a score of 84 out of 100, based on reviews from 34 critics, indicating «universal acclaim».[10] Audiences surveyed by CinemaScore gave the film a grade «A- » on scale of A to F.[11]
Roger Ebert of the Chicago Sun-Times gave the film three and a half out of four stars and praised «its power to absorb, entertain, and anger».[12] Newsweek magazine’s David Ansen wrote, «Mann could probably make a movie about needlepoint riveting. Employing a big canvas, a huge cast of superb character actors and his always exquisite eye for composition, he’s made the kind of current-events epic that Hollywood has largely abandoned to TV—and shows us how movies can do it better».[13]
In her review for The New York Times, Janet Maslin praised Russell Crowe as «a subtle powerhouse in his wrenching evocation of Wigand, takes on the thick, stolid look of the man he portrays», and felt that it was «by far Mann’s most fully realized and enthralling work».[14] Time magazine’s Richard Corliss wrote, «When Crowe gets to command the screen, The Insider comes to roiled life. It’s an All the President’s Men in which Deep Throat takes center stage, an insider prodded to spill the truth».[15] Rolling Stone magazine’s Peter Travers wrote, «With its dynamite performances, strafing wit and dramatic provocation, The Insider offers Mann at his best—blood up, unsanitized, and unbowed».[16]
However, Entertainment Weekly gave the film a «B» rating and felt that it was «a good but far from great movie because it presents truth telling in America as far more imperiled than it is».[17]
Director Quentin Tarantino included The Insider in his list of top 20 films released since 1992 (the year he became a director).[18]
Accolades[edit]
| Awards | ||||
|---|---|---|---|---|
| Award | Date of ceremony | Category | Recipients | Result |
| Academy Awards[19] | March 26, 2000 | Best Picture | Michael Mann and Pieter Jan Brugge | Nominated |
| Best Director | Michael Mann | Nominated | ||
| Best Actor | Russell Crowe | Nominated | ||
| Best Screenplay – Based on Material Previously Produced or Published | Michael Mann and Eric Roth | Nominated | ||
| Best Cinematography | Dante Spinotti | Nominated | ||
| Best Film Editing | William Goldenberg, Paul Rubell and David Rosenbloom | Nominated | ||
| Best Sound | Andy Nelson, Doug Hemphill and Lee Orloff | Nominated | ||
| British Academy Film Awards | April 9, 2000 | Best Actor in a Leading Role | Russell Crowe | Nominated |
| Boston Society of Film Critics | December 12, 1999 | Best Supporting Actor | Christopher Plummer | Won |
| Critics’ Choice Movie Awards | January 24, 2000 | Best Actor | Russell Crowe | Won |
| Golden Globe Awards | January 23, 2000 | Best Motion Picture – Drama | Nominated | |
| Best Actor in a Motion Picture – Drama | Russell Crowe | Nominated | ||
| Best Director | Michael Mann | Nominated | ||
| Best Screenplay | Michael Mann and Eric Roth | Nominated | ||
| Best Original Score | Pieter Bourke and Lisa Gerrard | Nominated | ||
| London Film Critics’ Circle | March 2, 2000 | Best Actor | Russell Crowe | Nominated |
| Los Angeles Film Critics Association | December 1999 | Best Film | Won | |
| Best Director | Michael Mann | Nominated | ||
| Best Actor | Russell Crowe | Won | ||
| Best Supporting Actor | Christopher Plummer | Won | ||
| Best Cinematography | Dante Spinotti | Won | ||
| National Society of Film Critics | January 8, 2000 | Best Actor | Russell Crowe | Won |
| Best Supporting Actor | Christopher Plummer | Won | ||
| Screen Actors Guild Awards | March 12, 2000 | Outstanding Performance by a Male Actor in a Leading Role | Russell Crowe | Nominated |
| Satellite Awards | January 16, 2000 | Best Motion Picture – Drama | Won | |
| Best Director | Michael Mann | Won | ||
| Best Actor in a Motion Picture – Drama | Russell Crowe | Nominated | ||
| Al Pacino | Nominated | |||
| Best Supporting Actor in a Motion Picture – Drama | Christopher Plummer | Nominated | ||
| Best Editing | Nominated |
American Film Institute recognition:
- AFI’s 100 Years…100 Heroes and Villains:
- Jeffrey Wigand — Nominated Hero[20]
- In 2006, Premiere ranked Crowe’s performance #23 of the 100 Greatest Performances of All Time.[21] Eric Roth and Michael Mann won the Humanitas Prize in the Feature Film category in 2000.
Soundtrack[edit]
| The Insider (Music from the Motion Picture) | |
|---|---|
| Soundtrack album by
Various artists |
|
| Released | October 26, 1999 |
| Recorded | 1999 |
| Genre | Soundtrack |
| Label | Sony |
| Producer | Lisa Gerrard and Pieter Bourke Graeme Revell |
| No. | Title | Performer | Length |
|---|---|---|---|
| 1 | «Tempest» | Lisa Gerrard & Pieter Bourke | 2:51 |
| 2 | «Dawn of the Truth» | Lisa Gerrard & Pieter Bourke | 1:59 |
| 3 | «Sacrifice» | Lisa Gerrard & Pieter Bourke | 7:41 |
| 4 | «The Subordinate» | Lisa Gerrard & Pieter Bourke | 1:17 |
| 5 | «Exile» | Lisa Gerrard & Pieter Bourke | 1:39 |
| 6 | «The Silencer» | Lisa Gerrard & Pieter Bourke | 1:38 |
| 7 | «Broken» | Lisa Gerrard & Pieter Bourke | 2:03 |
| 8 | «Faith» | Lisa Gerrard & Pieter Bourke | 3:01 |
| 9 | «I’m Alone on This» | Graeme Revell | 2:02 |
| 10 | «LB in Montana» | Graeme Revell | 0:50 |
| 11 | «Palladino Montage» | Graeme Revell | 0:45 |
| 12 | «Iguazu» | Gustavo Santaolalla | 3:12 |
| 13 | «Liquid Moon» | Lisa Gerrard & Pieter Bourke | 4:05 |
| 14 | «Rites» (edit) | Jan Garbarek | 5:34 |
| 15 | «Safe from Harm» (Perfecto Mix) | Massive Attack | 8:14 |
| 16 | «Meltdown» | Lisa Gerrard & Pieter Bourke | 5:40 |
- Other music in the film
- «Uotaaref Men Elihabek»—Casbah Orchestra
- «Suffocate», «Hot Shots» and «Night Stop»—Curt Sobel
- «Litany»—Arvo Pärt
- «Smokey Mountain Waltz»—Richard Gilks
- «Armenia»—Einstürzende Neubauten
- «Two or Three Things»—David Darling
See also[edit]
- Tobacco Master Settlement Agreement
- 60 Minutes Brown & Williamson controversy
References[edit]
- ^ a b «The Insider (1999): Metrics». Nash Information Services, LLC. Retrieved June 18, 2016.
- ^ The Insider (Motion picture). Touchstone Pictures. 1999. Event occurs at 2:33:32.
Although based on a true story, certain elements in this motion picture have been fictionalized for dramatic effect.
- ^ «Jeffrey Wigand : The Insider». www.jeffreywigand.com. Retrieved July 29, 2016.
- ^ Brenner, Marie (May 1996). «The Man Who Knew Too Much». Vanity Fair.
- ^ «Mike Wallace». American Academy of Achievement. May 24, 2008. Archived from the original on June 2, 2016. Retrieved June 18, 2016.
- ^ «The Insider«. Box Office Mojo. Retrieved March 5, 2010.
- ^ Weinraub, Bernard (December 3, 1999). «At the Movies». The New York Times. Retrieved March 5, 2010.
- ^ Patrick Goldstein (February 16, 2000). «The Wind Shifts and So Does the Hunt». Los Angeles Times. Archived from the original on May 31, 2016. Retrieved June 20, 2016.
- ^ «The Insider (1999)». Rotten Tomatoes. Fandango Media. Retrieved April 1, 2022.
- ^ «The Insider Reviews». Metacritic. CBS Interactive. Retrieved March 5, 2018.
- ^ «INSIDER, THE (1999) A-«. CinemaScore. Archived from the original on December 20, 2018.
- ^ Ebert, Roger (November 5, 1999). «The Insider«. Chicago Sun-Times. Archived from the original on April 9, 2013. Retrieved March 5, 2010.
- ^ Ansen, David (November 8, 1999). «Smoke Gets In Your Eyes». Newsweek. Retrieved March 5, 2010.
- ^ Maslin, Janet (November 5, 1999). «Mournful Echoes of a Whistle-Blower». The New York Times. Retrieved March 5, 2010.
- ^ Corliss, Richard (November 1, 1999). «Mournful Echoes of a Whistle-Blower». Time. Archived from the original on March 8, 2008. Retrieved March 5, 2010.
- ^ Travers, Peter (December 8, 2000). «The Insider«. Rolling Stone. Retrieved March 10, 2011.
- ^ «The Insider«. Entertainment Weekly. November 12, 1999. Archived from the original on April 25, 2009. Retrieved March 5, 2010.
- ^ Brown, Lane. «Team America, Anything Else Among the Best Movies of the Past Seventeen Years, Claims Quentin Tarantino». Vulture. New York Media LLC. Retrieved September 13, 2016.
- ^ «The 72nd Academy Awards (2000) Nominees and Winners». Oscars. Retrieved November 19, 2011.
- ^ «AFI’s 100 Years…100 Heroes and Villains Nominees» (PDF). Archived from the original (PDF) on August 7, 2011. Retrieved December 28, 2011.
- ^ «Premiere’s 100 Greatest Performances of All Time: 24-1». Archived from the original on January 31, 2009. Retrieved August 13, 2009.
External links[edit]
- The Insider at IMDb
- The Insider at AllMovie
- «Jeffrey Wigand’s official site». JeffreyWigand.com.
- «Jeffrey Wigand on 60 Minutes, Transcript». 60 Minutes. CBS. February 4, 1996.
- «Smoke in the Eye». Frontline.
- «THE INSIDER (1999) Historical Context: Print — Video — Online, Jeffrey Wigand Takes On Big Tobacco». lehigh.edu. Archived from the original on March 4, 2016. Retrieved May 28, 2014.
From Wikipedia, the free encyclopedia
| The Insider | |
|---|---|
|
Theatrical release poster |
|
| Directed by | Michael Mann |
| Written by |
|
| Based on | «The Man Who Knew Too Much» by Marie Brenner |
| Produced by |
|
| Starring |
|
| Cinematography | Dante Spinotti |
| Edited by |
|
| Music by |
|
|
Production |
|
| Distributed by | Buena Vista Pictures Distribution |
|
Release date |
|
|
Running time |
158 minutes |
| Country | United States |
| Language | English |
| Budget | $68–90 million[1] |
| Box office | $60.3 million |
The Insider is a 1999 American drama film directed by Michael Mann, from a screenplay adapted by Eric Roth and Mann from Marie Brenner’s 1996 Vanity Fair article «The Man Who Knew Too Much». It stars Al Pacino and Russell Crowe, with supporting actors including Christopher Plummer, Bruce McGill, Diane Venora and Michael Gambon.
A fictionalized account of a true story, it is based on the 60 Minutes segment about Jeffrey Wigand, a whistleblower in the tobacco industry,[2] covering his and CBS producer Lowell Bergman’s struggles as they defend his testimony against efforts to discredit and suppress it by CBS and Wigand’s former employer.
Though not a box office success, The Insider received acclaim from critics, who praised Crowe’s portrayal of Wigand, and Mann’s direction. It was nominated for seven Academy Awards, including Best Picture and Best Actor in a Leading Role (for Russell Crowe).
Plot[edit]
During a prologue, a CBS producer, Lowell Bergman, convinces the founder of Hezbollah, Sheikh Fadlallah, to grant an interview to Mike Wallace for 60 Minutes. While preparing for the interview, both Wallace and Bergman firmly stand their ground against the Sheikh’s armed and hostile bodyguards’ attempted intimidation and disruption.
Later, Bergman approaches Jeffrey Wigand—a former executive at the Brown & Williamson tobacco company—for help explaining technical documents. Wigand agrees, but intrigues Bergman when he adds that he won’t discuss anything else, citing a confidentiality agreement. B&W later coerce Wigand into a more restrictive agreement, leading Wigand to accuse Bergman of having betrayed him. Bergman subsequently visits Wigand to defend himself and investigate the potential story. Wigand, though apparently possessing very damaging information, is hesitant to jeopardize his severance package with B&W by revealing anything.
Wigand’s family move into a more modest house, and Wigand begins working as a teacher. One night Wigand finds evidence of trespass, and receives a sinister phone call. Meanwhile, Bergman contacts Richard Scruggs, an attorney representing Mississippi in a lawsuit against the tobacco industry, suggesting that if they deposed Wigand, it could negate his confidentiality agreement and give CBS cover to broadcast the information; Scruggs expresses interest. Some time later, Wigand receives an emailed death threat and finds a bullet in his mailbox. He contacts the FBI, but the agents who visit him are hostile and confiscate his computer. A furious Wigand demands that Bergman arrange an interview, in which Wigand states that he was fired after he objected to B&W intentionally making their cigarettes more addictive.
Bergman later arranges a security detail for Wigand’s home, and the Wigands suffer marital stress. Wigand testifies in Mississippi, over the objections of B&W attorneys, despite having been served with a gag order. On returning home, he discovers that his wife Liane has left him and taken their daughters. Eric Kluster, the president of CBS News, decides not to broadcast Wigand’s interview, after CBS legal counsel Helen Caperelli warns that the network is at risk of legal action from B&W. Bergman confronts Kluster, believing that he is protecting the impending sale of CBS to Westinghouse, which would enrich both Kluster and Caperelli. Wallace, and their executive producer Don Hewitt, both side with Kluster. Wigand, learning of this, is appalled, and terminates contact with Bergman.
Investigators probe Wigand’s personal history and publish their findings in a 500-page dossier. Bergman learns that The Wall Street Journal intends to use it in a piece questioning Wigand’s credibility. He convinces the editor of the Journal to delay while Jack Palladino, an attorney and investigator, evaluates it. After infighting at CBS over the Wigand segment, Bergman is ordered to take a «vacation», as the abridged 60 Minutes segment airs. Bergman contacts Wigand, who is both dejected and furious, accusing Bergman of manipulating him. Bergman defends himself and praises Wigand and his testimony. Scruggs urges Bergman to air the full segment to draw public support for their lawsuit, itself under threat by a lawsuit from Mississippi’s governor. Bergman is unable to assist, and privately questions his own motives in pursuing the story.
Bergman contacts an editor at The New York Times, disclosing the full story and events at CBS. The Times prints the story on the front page, and condemns CBS in a scathing editorial. The Journal dismisses the dossier as character assassination and prints Wigand’s deposition. Hewitt accuses Bergman of betraying CBS, but finds that Wallace now agrees that bowing to corporate pressure was a mistake. 60 Minutes finally airs the original segment, including the full interview with Wigand. Bergman tells Wallace that he has resigned, believing 60 Minutes‘s credibility and integrity is now permanently tarnished.
Cast[edit]
- Al Pacino as Lowell Bergman
- Russell Crowe as Dr. Jeffrey Wigand
- Christopher Plummer as Mike Wallace
- Diane Venora as Liane Wigand
- Philip Baker Hall as Don Hewitt
- Lindsay Crouse as Sharon Tiller
- Debi Mazar as Debbie De Luca
- Renee Olstead as Deborah Wigand
- Hallie Kate Eisenberg as Barbara Wigand
- Stephen Tobolowsky as Eric Kluster
- Colm Feore as Richard Scruggs
- Bruce McGill as Ron Motley
- Gina Gershon as Helen Caperelli
- Michael Gambon as B&W CEO Thomas Sandefur
- Rip Torn as John Scanlon
- Cliff Curtis as Sheikh Fadlallah
- Gary Sandy as Sandefur’s lawyer
- Roger Bart as Seelbach hotel manager
- Jack Palladino as himself
- Mike Moore as himself
Production[edit]
With a budget set at $68 million,[1] Mann began collecting a massive amount of documents to research the events depicted in the film: depositions, news reports and 60 Minutes transcripts. He had read a screenplay that Eric Roth had written, called The Good Shepherd, about the first 25 years of the CIA. Based on this script, Mann approached Roth to help him co-write The Insider. Mann and Roth wrote several outlines together and talked about the structure of the story. Roth interviewed Bergman numerous times for research and the two men became friends.
After he and Mann wrote the first draft together at the bar at the Broadway Deli in Santa Monica, Roth met Wigand. The whistleblower was still under his confidentiality agreement and would not break it for Roth or Mann. Roth’s initial impressions of Wigand were that he came across as unlikable and defensive. As they continued to write more drafts, the two men made minor adjustments in chronology and invented some extraneous dialogue but also stuck strictly to the facts whenever possible. However, Mann and Roth were not interested in making a documentary.
Val Kilmer was considered by Mann for the role of Jeffrey Wigand. Producer Pieter Jan Brugge suggested Russell Crowe and after seeing him in L.A. Confidential, Mann flew Crowe down from Canada where he was on location filming Mystery, Alaska on the actor’s one day off and had him read scenes from The Insider screenplay for two to three hours. When Crowe read the scene where Wigand finds out that the 60 Minutes interview he did will not be aired, he captured the essence of Wigand so well that Mann knew he had found the perfect actor for the role. Crowe, who was only 33 years old at the time, was apprehensive at playing someone much older than himself when there were so many good actors in that age range.
Once Crowe was cast, he and Mann spent six weeks together before shooting began, talking about his character and his props, clothes and accessories. Crowe put on 35 pounds (16 kg) for the role, shaved back his hairline, bleached his hair seven times and had a daily application of wrinkles and liver spots to his skin to transform himself into Wigand, who was in his early-to-mid-50s during the events depicted in the film. Crowe was not able to talk to Wigand about his experiences because he was still bound by his confidentiality agreement during much of the film’s development period. To get a handle on the man’s voice and how he talked, Crowe listened repeatedly to a six-hour tape of Wigand.
Al Pacino was Mann’s only choice to play Lowell Bergman. He wanted to see the actor play a role that he had never seen him do in a movie before. Pacino, who had worked with Mann previously in Heat, was more than willing to take on the role. To research for the film, Mann and Pacino hung out with reporters from Time magazine, spent time with ABC News and Pacino actually met Bergman to help get in character.
Pacino suggested Mann cast Christopher Plummer in the role of Mike Wallace. Pacino had seen the veteran actor on the stage many times and was a big fan of Plummer’s work. Mann had also wanted to work with Plummer since the 1970s. Pacino told Mann to watch Plummer in Sidney Lumet’s Stage Struck (1958), and afterwards he was the director’s only choice to play Wallace—Plummer did not have to audition. He met with Mann and after several discussions was cast in the film.
For the scene in which the deposition hearing takes place, the filmmakers used the actual courtroom in Pascagoula, Mississippi, where the deposition was given.[3]
Accuracy[edit]
The Insider was adapted from «The Man Who Knew Too Much», an influential article on tobacco industry whistleblower Jeffrey Wigand, written by journalist Marie Brenner for the May 1996 issue of Vanity Fair.[4]
Mike Wallace said that two-thirds of the film was quite accurate, but he disagreed with the film’s portrayal of his role in the events; in particular, he objected to the impression that he would have taken a long time to protest CBS’s corporate policies.[5]
Release[edit]
Box office[edit]
The Insider was released in 1,809 theaters on November 5, 1999, where it grossed a total of $6,712,361 on its opening weekend and ranked fourth in the country for that time period. It went on to make $29.1 million in North America and $31.2 million in the rest of the world for a total of $60.3 million worldwide, significantly lower than its $90 million budget.[6] The film was considered to be a commercial disappointment. Disney executives had hoped that Mann’s film would have the same commercial and critical success as All the President’s Men, a film in the same vein.
However, The Insider had limited appeal to younger moviegoers (studio executives reportedly said the prime audience was over the age of 40) and the subject matter was «not notably dramatic,» according to marketing executives. Then-Disney chairman Joe Roth said, «It’s like walking up a hill with a refrigerator on your back. The fact of the matter is we’re really proud we did this movie. People say it’s the best movie they’ve seen this year. They say, ‘Why don’t we make more movies like this?‘«[7]
After the film received seven Academy Awards nominations, Joe Roth said, «Everyone is really proud of the movie. But it’s one of those rare times when adults loved a movie, yet they couldn’t convince their friends to go see it, any more than we could convince people in marketing the film.»[8]
Critical reception[edit]
The Insider received some of the best reviews of 1999 and of Michael Mann’s career. On Rotten Tomatoes it has a 96% rating based on 137 reviews, with an average rating of 8.10/10. The website’s critical consensus reads, «Intelligent, compelling, and packed with strong performances, The Insider is a potent corporate thriller.»[9] On Metacritic, it has a score of 84 out of 100, based on reviews from 34 critics, indicating «universal acclaim».[10] Audiences surveyed by CinemaScore gave the film a grade «A- » on scale of A to F.[11]
Roger Ebert of the Chicago Sun-Times gave the film three and a half out of four stars and praised «its power to absorb, entertain, and anger».[12] Newsweek magazine’s David Ansen wrote, «Mann could probably make a movie about needlepoint riveting. Employing a big canvas, a huge cast of superb character actors and his always exquisite eye for composition, he’s made the kind of current-events epic that Hollywood has largely abandoned to TV—and shows us how movies can do it better».[13]
In her review for The New York Times, Janet Maslin praised Russell Crowe as «a subtle powerhouse in his wrenching evocation of Wigand, takes on the thick, stolid look of the man he portrays», and felt that it was «by far Mann’s most fully realized and enthralling work».[14] Time magazine’s Richard Corliss wrote, «When Crowe gets to command the screen, The Insider comes to roiled life. It’s an All the President’s Men in which Deep Throat takes center stage, an insider prodded to spill the truth».[15] Rolling Stone magazine’s Peter Travers wrote, «With its dynamite performances, strafing wit and dramatic provocation, The Insider offers Mann at his best—blood up, unsanitized, and unbowed».[16]
However, Entertainment Weekly gave the film a «B» rating and felt that it was «a good but far from great movie because it presents truth telling in America as far more imperiled than it is».[17]
Director Quentin Tarantino included The Insider in his list of top 20 films released since 1992 (the year he became a director).[18]
Accolades[edit]
| Awards | ||||
|---|---|---|---|---|
| Award | Date of ceremony | Category | Recipients | Result |
| Academy Awards[19] | March 26, 2000 | Best Picture | Michael Mann and Pieter Jan Brugge | Nominated |
| Best Director | Michael Mann | Nominated | ||
| Best Actor | Russell Crowe | Nominated | ||
| Best Screenplay – Based on Material Previously Produced or Published | Michael Mann and Eric Roth | Nominated | ||
| Best Cinematography | Dante Spinotti | Nominated | ||
| Best Film Editing | William Goldenberg, Paul Rubell and David Rosenbloom | Nominated | ||
| Best Sound | Andy Nelson, Doug Hemphill and Lee Orloff | Nominated | ||
| British Academy Film Awards | April 9, 2000 | Best Actor in a Leading Role | Russell Crowe | Nominated |
| Boston Society of Film Critics | December 12, 1999 | Best Supporting Actor | Christopher Plummer | Won |
| Critics’ Choice Movie Awards | January 24, 2000 | Best Actor | Russell Crowe | Won |
| Golden Globe Awards | January 23, 2000 | Best Motion Picture – Drama | Nominated | |
| Best Actor in a Motion Picture – Drama | Russell Crowe | Nominated | ||
| Best Director | Michael Mann | Nominated | ||
| Best Screenplay | Michael Mann and Eric Roth | Nominated | ||
| Best Original Score | Pieter Bourke and Lisa Gerrard | Nominated | ||
| London Film Critics’ Circle | March 2, 2000 | Best Actor | Russell Crowe | Nominated |
| Los Angeles Film Critics Association | December 1999 | Best Film | Won | |
| Best Director | Michael Mann | Nominated | ||
| Best Actor | Russell Crowe | Won | ||
| Best Supporting Actor | Christopher Plummer | Won | ||
| Best Cinematography | Dante Spinotti | Won | ||
| National Society of Film Critics | January 8, 2000 | Best Actor | Russell Crowe | Won |
| Best Supporting Actor | Christopher Plummer | Won | ||
| Screen Actors Guild Awards | March 12, 2000 | Outstanding Performance by a Male Actor in a Leading Role | Russell Crowe | Nominated |
| Satellite Awards | January 16, 2000 | Best Motion Picture – Drama | Won | |
| Best Director | Michael Mann | Won | ||
| Best Actor in a Motion Picture – Drama | Russell Crowe | Nominated | ||
| Al Pacino | Nominated | |||
| Best Supporting Actor in a Motion Picture – Drama | Christopher Plummer | Nominated | ||
| Best Editing | Nominated |
American Film Institute recognition:
- AFI’s 100 Years…100 Heroes and Villains:
- Jeffrey Wigand — Nominated Hero[20]
- In 2006, Premiere ranked Crowe’s performance #23 of the 100 Greatest Performances of All Time.[21] Eric Roth and Michael Mann won the Humanitas Prize in the Feature Film category in 2000.
Soundtrack[edit]
| The Insider (Music from the Motion Picture) | |
|---|---|
| Soundtrack album by
Various artists |
|
| Released | October 26, 1999 |
| Recorded | 1999 |
| Genre | Soundtrack |
| Label | Sony |
| Producer | Lisa Gerrard and Pieter Bourke Graeme Revell |
| No. | Title | Performer | Length |
|---|---|---|---|
| 1 | «Tempest» | Lisa Gerrard & Pieter Bourke | 2:51 |
| 2 | «Dawn of the Truth» | Lisa Gerrard & Pieter Bourke | 1:59 |
| 3 | «Sacrifice» | Lisa Gerrard & Pieter Bourke | 7:41 |
| 4 | «The Subordinate» | Lisa Gerrard & Pieter Bourke | 1:17 |
| 5 | «Exile» | Lisa Gerrard & Pieter Bourke | 1:39 |
| 6 | «The Silencer» | Lisa Gerrard & Pieter Bourke | 1:38 |
| 7 | «Broken» | Lisa Gerrard & Pieter Bourke | 2:03 |
| 8 | «Faith» | Lisa Gerrard & Pieter Bourke | 3:01 |
| 9 | «I’m Alone on This» | Graeme Revell | 2:02 |
| 10 | «LB in Montana» | Graeme Revell | 0:50 |
| 11 | «Palladino Montage» | Graeme Revell | 0:45 |
| 12 | «Iguazu» | Gustavo Santaolalla | 3:12 |
| 13 | «Liquid Moon» | Lisa Gerrard & Pieter Bourke | 4:05 |
| 14 | «Rites» (edit) | Jan Garbarek | 5:34 |
| 15 | «Safe from Harm» (Perfecto Mix) | Massive Attack | 8:14 |
| 16 | «Meltdown» | Lisa Gerrard & Pieter Bourke | 5:40 |
- Other music in the film
- «Uotaaref Men Elihabek»—Casbah Orchestra
- «Suffocate», «Hot Shots» and «Night Stop»—Curt Sobel
- «Litany»—Arvo Pärt
- «Smokey Mountain Waltz»—Richard Gilks
- «Armenia»—Einstürzende Neubauten
- «Two or Three Things»—David Darling
See also[edit]
- Tobacco Master Settlement Agreement
- 60 Minutes Brown & Williamson controversy
References[edit]
- ^ a b «The Insider (1999): Metrics». Nash Information Services, LLC. Retrieved June 18, 2016.
- ^ The Insider (Motion picture). Touchstone Pictures. 1999. Event occurs at 2:33:32.
Although based on a true story, certain elements in this motion picture have been fictionalized for dramatic effect.
- ^ «Jeffrey Wigand : The Insider». www.jeffreywigand.com. Retrieved July 29, 2016.
- ^ Brenner, Marie (May 1996). «The Man Who Knew Too Much». Vanity Fair.
- ^ «Mike Wallace». American Academy of Achievement. May 24, 2008. Archived from the original on June 2, 2016. Retrieved June 18, 2016.
- ^ «The Insider«. Box Office Mojo. Retrieved March 5, 2010.
- ^ Weinraub, Bernard (December 3, 1999). «At the Movies». The New York Times. Retrieved March 5, 2010.
- ^ Patrick Goldstein (February 16, 2000). «The Wind Shifts and So Does the Hunt». Los Angeles Times. Archived from the original on May 31, 2016. Retrieved June 20, 2016.
- ^ «The Insider (1999)». Rotten Tomatoes. Fandango Media. Retrieved April 1, 2022.
- ^ «The Insider Reviews». Metacritic. CBS Interactive. Retrieved March 5, 2018.
- ^ «INSIDER, THE (1999) A-«. CinemaScore. Archived from the original on December 20, 2018.
- ^ Ebert, Roger (November 5, 1999). «The Insider«. Chicago Sun-Times. Archived from the original on April 9, 2013. Retrieved March 5, 2010.
- ^ Ansen, David (November 8, 1999). «Smoke Gets In Your Eyes». Newsweek. Retrieved March 5, 2010.
- ^ Maslin, Janet (November 5, 1999). «Mournful Echoes of a Whistle-Blower». The New York Times. Retrieved March 5, 2010.
- ^ Corliss, Richard (November 1, 1999). «Mournful Echoes of a Whistle-Blower». Time. Archived from the original on March 8, 2008. Retrieved March 5, 2010.
- ^ Travers, Peter (December 8, 2000). «The Insider«. Rolling Stone. Retrieved March 10, 2011.
- ^ «The Insider«. Entertainment Weekly. November 12, 1999. Archived from the original on April 25, 2009. Retrieved March 5, 2010.
- ^ Brown, Lane. «Team America, Anything Else Among the Best Movies of the Past Seventeen Years, Claims Quentin Tarantino». Vulture. New York Media LLC. Retrieved September 13, 2016.
- ^ «The 72nd Academy Awards (2000) Nominees and Winners». Oscars. Retrieved November 19, 2011.
- ^ «AFI’s 100 Years…100 Heroes and Villains Nominees» (PDF). Archived from the original (PDF) on August 7, 2011. Retrieved December 28, 2011.
- ^ «Premiere’s 100 Greatest Performances of All Time: 24-1». Archived from the original on January 31, 2009. Retrieved August 13, 2009.
External links[edit]
- The Insider at IMDb
- The Insider at AllMovie
- «Jeffrey Wigand’s official site». JeffreyWigand.com.
- «Jeffrey Wigand on 60 Minutes, Transcript». 60 Minutes. CBS. February 4, 1996.
- «Smoke in the Eye». Frontline.
- «THE INSIDER (1999) Historical Context: Print — Video — Online, Jeffrey Wigand Takes On Big Tobacco». lehigh.edu. Archived from the original on March 4, 2016. Retrieved May 28, 2014.
Фильм
Свой человек
The Insider, США, 1999
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Джеффри Уайгенда увольняют с поста вице-президента крупнейшей табачной компании за то, что он протестует против использования в сигаретах компонента, вызывающего у курильщиков наркотическую зависимость. Лоуэлл Бергман, продюсер популярнейшего телешоу «60 минут», узнает об этом и убеждает Уайгенда выступить с разоблачительным интервью по телевидению.
Продолжительность2 часа 37 минут
Возрастное ограничение16+
Актеры
Расселл Кроу, Аль Пачино, Джина Гершон, Кристофер Пламмер, Дайана Венора, Филип Бейкер Холл, Линдсей Круз, Деби Мазар, Стивен Тоболовски, Колм Фиори,
Влюбился в кино, увидев «Доктора Стрейнджлава», но путь в большой кинематограф начал с телевидения. На ТВ имел репутацию режиссера, склонного к излишней художественности. Снял посредственную криминальную драму «Сделано в Лос-Анджелесе», а затем ее легендарный киношный авторемейк «Схватка» про противостояние Роберта Де Ниро и Аль Пачино — причем с Пачино потом сделал не менее выдающегося «Своего человека» про журналистскую этику. Запустил несколько культовых сериалов, среди которых «Криминальная история» и «Полиция Майами: Отдел нравов», однако вопреки всеобщему заблуждению был не автором этих шоу, а исполнительным продюсером. Зато в середине нулевых собственноручно поставил холодный киноремейк «Полиции Майами», после которого превратился в брутальную цифровую версию Терренса Малика. Гениально снимает перестрелки, поэтому туговат на ухо — как он сам говорит, на его фильмах слишком много и громко палят.
Рецензия «Афиши»
на
фильм
«Свой человек»
Реконструкция реальных событий из новейшей истории американского ТВ. Группа журналистов добивается суда с крупными табакопроизводителями, добавлявшими в сигареты вызывающий привыкание аммиак. Очень длинный (2 часа 40 минут) фильм на очень узкую тему будет интересен не многим. Посмотреть его стоит зрителям, которым в кино нравится именно кино. Оператор Данте Спинотти («Секреты Лос-Анджелеса») при помощи особых линз добился гиперреальности пейзажей, как в фильмах Антониони и «Солярисе», когда кажется, что чувствуешь влажность и температуру воздуха в кадре. Несколько алогичный монтаж схож с работой мысли человека, которому приходится быстро, забегая вперед, решать одновременно личные и профессиональные вопросы. Все вместе — портрет душевного состояния элитного американского журналиста, живущего в своей оторванной от действительности башне из слоновой кости.
9
Хорошее кино, которое неплохо показывают изнанку большого бизнеса, причем думаю, не только табачного. многое из описанных тут приемчиков, наверняка, успешно применяется и в других сферах где крутятся большие деньги. Снято все в общем-то весьма качественно, но конечно, фильму малость недостает динамики. В остальном — идеальное кино о большом бизнесе и его тайнах
7
Журналистский триллер о человеке, который работал на табачную фирму, а после того, как его оттуда турнули, решил слить все грязные тайны производства. Его зовут Джеффри Уайгенд (Рассел Кроу) и на него выходит продюсер передачи «60 минут» Лоуэлл Бергман (Аль Пачино), который уговаривает выставить на телевидение и разоблачить коварных и жестоких монстров табачной империи. Тем, понятное дело, подобный поворот не очень нравится, и они начинают действовать. По закону вроде бы Уайгенд не может разглашать подобную информацию, так как подписывал специальный документ, но журналистам достаточно, чтобы нужные слова прозвучали в суде, таким образом сделав их официально доступными для публикации. Тогда еще более жестокие представители табачных олигархов решают расправиться с наглецом, пошедшим против Голиафа, и начинают копаться с частной его жизни. У каждого есть секреты, которые не стоит выносить на дневной свет. Противостояние характеров перерастает в грязную войну.
В основе картины, насколько это возможно, лежит реальная история от реального Лоуэлла Бергмана, который действительно пытался протащить на телевидение столь серьезную историю. Майкл Манн на самом деле учился с Бергманом в одном институте в одно и то же время, но как следует они пересеклись только за несколько лет до выхода этого фильма, обсуждая идею снять какой-нибудь фильм. У Бергмана была эта история, которая постоянно давила на него, как на журналиста, которому не позволили сделать свое дело. Так что, эта картина стала для него своего рода искуплением. На студии «Disney» идея очень понравилась, и Манну выделили на съемки гигантский для подобного жанра бюджет в 68 миллионов долларов. Что само по себе было риском – за Манном сложилась репутация прекрасного автора, красивые фильмы которого не всегда отбивали вложенные суммы.
Как это было на всех проектах режиссера, Манн и его команда провели потрясающий объем работ по исследованию предоставленных документов и, вместе с уважаемым и популярным в то время сценаристом, обладателем «Оскара», Эриком Ротом, был создан сценарий, максимально близкий к оригинальной истории, но без доведения картины до уровня документализма – фильм все еще должен был оставаться игровым. В качестве актера на роль Бергмана Манн рассматривал исключительно Аль Пачино. А тот, в свою очередь, предложил кандидатуру Кристофера Пламмера на одну из ключевых ролей в фильме. Пачино восхищался и внимательно следил за театральной карьерой Пламмера и Манн положился на его авторитетное мнение.
По сути, крепкая актерская игра, особенно дуэта Пачино-Кроу стала ядром фильма. Их взаимоотношения выстроены посредством в основном телефонных разговоров, а сами их персонажи являют собой два разных эмоционально, социально, даже физически полюса, хотя при этом трения и конфликт между ними не является основным движителем сюжета, а лишь драматургически обогащает материал. В целом идея подобного фильма корнями уходит в журналистские фильмы 70х, да и студия рассчитывала на коммерческий успех, подобный ленте «Вся президентская рать». Однако фильм получился без особого финансового потенциала, так как рассматривал целевой аудиторией людей под 40 и со скорее средним и высоким социальным статусом, тогда как кассу в кинотеатрах на рубеже веков делали группы возрастом явно младше. Но критикам фильм очень понравился. Хорошая актерская игра, смелая история, умный сценарий, острая тема, стильная постановка – чем эта картина может не нравиться?
9
Представьте себе «Схватку» без стрельбы, но с размышлениями о журналистской этике. Это и есть «Свой человек» — производственная драма о том, почему нельзя сдавать своих инсайдеров.
5
Снято динамично, с подчеркнутой напряженностью, но это только лапша, как и все в политике и пропаганде………………
5
Джефри Уайтгенда увольняют с поста вице-президента по науке крупной табачной компании, так как он посмел выступить против практики добавления в сигареты аммиака, который повышает всасываемость никотина в мозг и тем самым приводит к гораздо большей зависимость людей от табака. Понятно, что при увольнению с него берут расписку о неразглашении информации о компании, весьма понятный шаг, а то существуют вероятность помощи конкурентам по бизнесу, а заодно мир не должен узнать, что табачные магнаты догадываются о том, что курить это вредно.
Но разумеется появляется змей-искуситель герой Ал Пачино, который убеждает его потерять медицинскую страховку и всё, что у него есть, но зато выступить по телевизору и объяснить миру, что курение это плохо. В общем сделать что-нибудь для тех, кто так и не научился читать о том, что «Минздрав предупреждает» и «Курение причина многих заболеваний».
Майкл Манн снял замечательный фильм про двух честных людей для которых интересы общества гораздо важнее их собственных интересов, а право на информирование это чуть ли не основное достоинство американской конституции. Пачино не привыкать играть подобные роли сильных и смелых людей. Кроу было немножко сложнее, ведь подобными навыками в совершенстве он овладеет лишь спустя пару лет сыграв в «Играх разума» гениально-сумашедшего математика Нэша…Но и тренировка вышла вполне удачной
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Психологическая драма «Свой человек» является в высокой степени документальной — её сюжет полностью основан на реальных событиях первой половины 90-х годов прошлого века. И режиссёр Майкл Манн (Michael Mann), и его вдохновитель Доктор Джеффри С. Уайганд (Dr. Jeffrey S. Wigand) (актер: Рассел Кроу) не раз публично заявляли, что фильм максимально достоверен, основывается на официальных показаниях и рассказах участников и свидетелей тех событий и что художественный вымысел в фильме ограничен лишь именами супруги и детей Доктора Уайганда, измененных по его просьбе..
Доктор Уайганд — невольный инициатор крупнейшего в истории США корпоративного скандала, произведшего мировой резонанс, в сравнении с которым скандалы с корпорациями Enron и WorldCom выглядят пустяком. Будучи вице-президентом по исследованиям и развитию табачной компании «Brown & Williamson», входящей в настоящее время в состав «British American Tobacco», доктор Уайганд работал над задачей по созданию и внедрению в производство ‘safer cigarettes’ — сигарет, способных снизить случаи возникновения бытовых пожаров (из-за непотушенных сигарет) и количество раковых заболеваний.
Проведя несколько лет в научном центре B&W, доктор Уайганд узнал массу страшных тайн, которые табачные компании намеренно скрывали от международной общественности. Ему стало понятно, что в 20-м веке курение унесло в несколько раз больше жизней, чем все войны того времени — и международные, и локальные… В то же время руководство закрыло его программу, сославшись на то, что «это может негативно повлиять на продажи».
Кадры из фильма
01
По стечению обстоятельств на доктора Уайганда вышел продюсер телепрограммы «60 минут» (CBS) — Лоуэлл Бергманн (Lowell Bergmann) (актер: Аль Пачино), нуждавшийся в научной консультации. Их знакомство и доверительное общение привело к тому, что Уайганд дал «60 минутам» эксклюзивное интервью, став первым высокопоставленным представителем табачной индустрии, открыто обнародовавшим все, тогда ещё недоступные общественности, тайны табачного бизнеса. Несмотря на развод с женой, неслыханную по масштабам осквернительную кампанию со стороны табачников, и встречные иски (доктору грозило 6 лет тюрьмы за разглашение корпоративной информации), Уайганд сумел доказать под присягой правдивость своей информации. Впоследствии его поступок привел табачную индустрию к многомиллиардным выплатам.
Фильм о противостоянии двух очень влиятельных систем: пресса протв табачных компании. В том числе, фильм показывает, какая мощная сила стоит за табачными компаниями всего мира.
Фильм без единого выстрела, погонь и рукопашного боя. Однако, довольно напряженный и держит зрителя от начала и до конца в некотором оцепенении (хотя не всем он понравиться, многим он может показаться нудным). Игра актеров хорошая и Пачино в своем репертуаре, и Кроу – ему идет играть этих странных «заумных» докторов (кто смотрел «Игры разума» (A Beautiful Mind), тот меня поймет). 
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Трейлер к фильму (английский):
Этот пост написан не столько о самом фильме, сколько к статье о том, как бросить курить. В статье (ЗДЕСЬ) есть ролик из фильма, дополняющей ее контекст, ну и конечно же ссылки на этот пост с рекомендацией ознакомиться и посмотреть сам фильм.
Назад, на главную страницу (верхний пост).
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The Insider
| Оценка | imdb: 7.8 КП: 7.6 | ||||||
| Слоган | «Two men driven to tell the truth… whatever the cost» | ||||||
| Жанр |
триллер, драма, биография |
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| Год | 1999 | ||||||
| Страна | США  |
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| Премьера | |||||||
| Бюджет | $90 000 000 | ||||||
| Кассовые сборы |
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| DVD | 19.10.2000 | ||||||
| Длительность | 02:37 | ||||||
| Рейтинг MPAA | R |
Сюжет
Джеффри Уайгэнда увольняют с поста вице-президента крупнейшей табачной компании за то, что он протестует против использования в табачной продукции компонента, вызывающего у курильщиков наркотическую зависимость. Лоуэлл Бергман, продюсер популярного телешоу, узнает об этом и убеждает Уайгэнда выступить с разоблачительным интервью по телевидению…Естественно, это очень не нравится столпам табачной индустрии, заверяющих в безвредности производимой продукции. Олигархи принимают самые суровые меры, чтобы информация не стала достоянием гласности. От Уайгэнда уходит жена, Лоуэлла Бергмана отправляют в отпуск. Там, где задействованы большие деньги, бесполезно бороться за справедливость, но Лоуэлл и Уайгэнд не прекращают борьбу.